Showing posts with label books and poetry. Show all posts
Showing posts with label books and poetry. Show all posts

30 September 2008

happy banned books week!

It is Banned Books Week once again, in which the American Library Association encourages people to Celebrate the Freedom to Read, and reminds America how important the right to free speech is. I'm personally a big supporter of free speech, and I like to use the lists of challenged books published by the ALA to find new books to read, because those which people seek to ban are often the most interesting and thought-provoking.

Here's the ALA's list of the most frequently challenged books of 2007, and the reasons why they were challenged:

1) “And Tango Makes Three,” by Justin Richardson/Peter Parnell
Reasons: Anti-Ethnic, Sexism, Homosexuality, Anti-Family, Religious Viewpoint, Unsuited to Age Group

2) The Chocolate War,” by Robert Cormier
Reasons: Sexually Explicit, Offensive Language, Violence

3) “Olive’s Ocean,” by Kevin Henkes
Reasons: Sexually Explicit and Offensive Language

4) “The Golden Compass,” by Philip Pullman
Reasons: Religious Viewpoint

5) “The Adventures of Huckleberry Finn,” by Mark Twain
Reasons: Racism

6) “The Color Purple,” by Alice Walker
Reasons: Homosexuality, Sexually Explicit, Offensive Language

7) "TTYL,” by Lauren Myracle
Reasons: Sexually Explicit, Offensive Language, Unsuited to Age Group

8) "I Know Why the Caged Bird Sings,” by Maya Angelou
Reasons: Sexually Explicit

9) “It’s Perfectly Normal,” by Robie Harris
Reasons: Sex Education, Sexually Explicit

10) "The Perks of Being A Wallflower,” by Stephen Chbosky
Reasons: Homosexuality, Sexually Explicit, Offensive Language, Unsuited to Age Group

Sadly, I've only read half of these (1, 2, 4, 6, 8), and my kids have only read one (which I wrote about not too long ago). Looks like I have some reading to do! The link above also notes that Toni Morrison (one of my favorite contemporary authors) is off the list this year, after previously having two of her books featured. Too bad! Maybe she'd better write another controversial book.

Incidentally, it was very recently that I read I Know Why the Caged Bird Sings for the first time, and I found it to be a very moving and beautifully written book that I would recommend to anyone. The "sexually explicit content" (which, by the way, is not portrayed in a positive way) is one of the defining moments of Angelou's youth. Should she have ignored writing about something that affected her so deeply, that changed her in a very real way, that surely plenty of young girls can identify with, to avoid offending someone who's not satisfied to simply put down the book and walk away? That's what good literature is about in the first place: affecting the reader.

It really baffles me that some people decide that if they don't want to read a book, or want their children to read a book, that no one else should be allowed to read that book. I think literature is a great tool to use in learning to understand and process the world around us and the issues people face. It's hard for me to understand a point of view that would seek to prevent others from thinking and learning and challenging themselves.

Just for fun, here are some more links about challenged books from the ALA:
The Most Challenged Books of the 21st Century
The Top Ten Challenged Authors from 1990-2004
The 100 Most Frequently Challenged Books from 1990-2000

I'm pleasantly surprised to see a handful of books on that third list that were taught or read aloud in my elementary and high schools.

Some of my favorites on these lists I'd also count as some of my favorite books of all time. The Harry Potter series, Bridge to Terabithia, House of the Spirits, A Wrinkle in Time, The Handmaid's Tale, Julie of the Wolves, Roald Dahl's books, Toni Morrison's books, The Giver, and Slaughterhouse Five are all excellent books that I've enjoyed. Some of them I loved as a child, and have found as an adult that they're still just as good (for example, I re-read Bridge to Terabithia a few months ago after finding a copy at a used bookstore, and I sobbed every bit as much at 26 as I did at 11).

So what are your favorite challenged books?

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15 May 2008

pernicious penguins

I just read my children one of the most "challenged" picture books in America: And Tango Makes Three, by Justin Richardson and Peter Parnell. It's a very sweet book -- the true story of two penguins at the Central Park Zoo who fall in love, spend all their time together, and raise an adopted baby penguin together. It's just that these two penguins both happen to be male, so apparently telling their story advocates homosexuality.

It's true, by the way. If you're a parent, then you surely know all about the pernicious influence penguins have over children. After we saw March of the Penguins, it was all I could do to keep my children from jumping in the icy river in the dead of winter. And after we saw Madagascar my children started learning martial arts and tried to steal a cargo ship. And after reading this book this morning, my children immediately set out in search of gay penguins to have sex with.

Really, it's a very sweet, simple story and I find it incredibly sad that there are people somewhere out there who feel that their children are in some way threatened by a loving penguin family. Penguins.

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14 April 2008

overheard

"Let's play The Three Little Pigs."

"Okay!"

"Who do you want to be?"

"A sand person!"

"No, you have to be a pig or the wolf."

"I want to be a sand person!"

"Okay, let's play The Three Little Sand People."

[Some time later]

"Little Luke, little Luke, let me in!"

"Not by the point of my sharp, sharp lightsaber!"

"Then I'll load and I'll load and I'll shoot your house down!"

I don't condone their use of violence, but I do appreciate their creativity. (Possibly inspired by reading this book incessantly over the last week. If you have small children, find some of David Wiesner's picture books -- the several we've read are beautiful and imaginative.)

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17 January 2008

2007: a year in books

You may have noticed that I didn't do any sort of New Year's post. That's because I don't do resolutions, and I have a pretty terrible memory, so my year is best summed up by telling you to look through my blog archives. There's little I could add to that.

The one thing I actually do on a yearly basis, for the last few years anyway though only once so far on the blog), is to keep a running list of the books I've read. This helps me, first of all, remember what I've read and what I haven't, because some books are so utterly forgettable, or easily confused with other books, that I have a hard time keeping track. It also helps me when it comes to recommending books to people. If you ask me to recommend a book off the top of my head, I'd be hard pressed to come up with more than one or two. But with a list at hand I'm full of recommendations. Also, it's fun to remember when I read certain things, like to recall that the summer of 2003 was my summer of Vonnegut, or that the main reason I've read so many trashy suspnse novels is because I needed something diverting after I had Evan in 2005. Thus, my lists.

I'm a little late posting this, but it's still January, so I think that's good enough. Below the fold you'll find the complete 2007 list, with awards and comments following.

1. Foucault’s Pendulum – Umberto Eco
2. King Leopold’s Ghost: A Story of Greed, Terror and Heroism in Colonial Africa – Adam Hochschild
3. Special Topics in Calamity Physics – Marisha Pessl
4. Lies and the Lying Liars Who Tell Them: A Fair and Balanced Look at the Right – Al Franken
5. Misquoting Jesus: The Story Behind Who Changed the Bible and Why – Bart Ehrman
6. Between Mothers and Sons: Women Writers Talk About Having Sons and Raising Men – edited by Patricia Stevens
7. Julie & Julia: 365 Days, 524 Recipes, 1 Tiny Apartment Kitchen – Julie Powell
8. A Spot of Bother – Mark Haddon
9. The Polysyllabic Spree – Nick Hornby
10. The House of the Spirits – Isabel Allende
11. Beloved – Toni Morrison
12. Kidnapped – Robert Louis Stevenson
13. Kafka on the Shore – Haruki Murakami
14. Lolita – Vladimir Nabokov
15. Thirteen Moons – Charles Frazier
16. The Human Comedy – William Saroyan
17. Dune – Frank Herbert
18. Harry Potter and the Sorcerer’s Stone – JK Rowling
19. Harry Potter and the Chamber of Secrets – JK Rowling
20. Harry Potter and the Prisoner of Azkaban – JK Rowling
21. Harry Potter and the Goblet of Fire – JK Rowling
22. Harry Potter and the Order of the Phoenix – JK Rowling
23. Harry Potter and the Half-Blood Prince – JK Rowling
24. Harry Potter and the Deathly Hallows – JK Rowling
25. Brave New World – Aldous Huxley
26. The Wind-Up Bird Chronicle – Haruki Murakami
27. Into The Forest – Jean Hegland
28. The Sirens of Titan – Kurt Vonnegut
29. Living on the Wind: Across the Hemisphere With Migratory Birds – Scott Weidensaul
30. What is the What – Dave Eggers
31. Buy, Buy Baby: How Consumer Culture Manipulates Parents and Harms Young Minds – Susan Gregory Thomas

It was an eclectic year. I developed a taste for Haruki Murakami (and hope to read more of his work this year), read a few classics I'd missed over the years, learned a little about nature and war and history, and said goodbye to the world of Harry Potter in one final engrossing trip through the boy wizard's entire journey. Oof, that sounded cheesy, but I was sad to see the series end, though pleased with the way it was done.

It's hard to choose a favorite this year. I loved a lot of these. So I'm going to get creative with my awards categories to try and encompass the books I loved best.

Favorite Classic Fiction: Okay, it may be a stretch to call a novel from the '50s "classic", but it is one of those important books that's constantly referenced and that everyone's supposed to know: Lolita. It was disturbing, to be sure, but it was so well-written that I had trouble putting it down. It's something I'll have to re-read someday to really be able to solidify my thoughts on it, but there's a reason this novel is so well-known, and I'd like to believe it's not the subject matter.

Favorite Contemporary Fiction: A Spot of Bother by Mark Haddon, author of The Curious Incident of the Dog in the Night-time, also a worthy read. I read this so long ago (almost a whole year!) that I'm having trouble recalling the specifics, but it left such a good impression on me that I'm willing to recommend it regarless of not being able to remember the details. Just trust me; Haddon is good.

Favorite Historical Fiction: Thirteen Moons by Charles Frazier. The Washington Post says: "Reading Frazier is like sitting by the cracker barrel for hour after hour and listening to an amiable but impossibly gassy guy who talks real slow, says "I reckon" a whole lot and never shuts up." I happen to like that in a book, or, at least, in this book, which I suppose is the only one I've ever read that fits that description. It's a sprawling novel that covers much of the 19th century, telling one (white) man's story of life among the Cherokee, the Trail of Tears, the Civil War, and of course, a love story too.

Favorite Foreign Fiction: Since I already mentioned above that I've become a Murakami fan, I'll give this award to The House of the Spirits by Isabel Allende, which is kind of a fantastical historical tale of several generations of a South American family. It's kind of a saga, more than just a mere story. Beautiful, engaging, wonderful book.

Favorite Science Fiction: Dune, by Frank Herbert. I can't believe I took so long to get around to reading this book. It's one of the best sci-fi novels I've read, I think: power struggles and prophecy and deceit and fantasy, all kinds of interesting things going on here. Now I just have to get around to seeing the movie.

Most Fun Fiction: Special Topics in Calamity Physics, by Marisha Pessl. This is not the sort of book I would have chosen on my own, but one of my friends selected it for our book club and I was surprised by how clever and smart it was. It reads kind of like a young adult murder-mystery sort of thing, but it's a more interesting story than those usually turn out to be, it's populated by interesting characters (especially the young heroine, who is the sort of character a girl like me wishes she could have been at that age), and it's chock-full of literary references, some obvious and some more obscure, which were like little Easter eggs hidden throughout the book -- always a treat to come across one.

Most Important Fiction: What is the What, by Dave Eggers. I'd even go so far as to call this the overall best book I read this year, because of how moving and affecting it is. It's based on the real-life story of the Lost Boys of Sudan, thousands of boys displaced and orphaned by seemingly never-ending war in Africa. Read more about both the book and the Lost Boys here.

(What can I say; it was a good year for fiction.)

Favorite non-fiction: King Leopold's Ghost by Adam Hochschild. Though a quick read, it's not exactly an easy read: it's an account of the destruction and abuses inflicted on the Congo and the Africans who lived there when King Leopold of Belgium decided to colonize. As someone who knew very little of African history prior to reading this book, it was kind of a horrific introduction, but at the same time fascinating.

Runner up: Living on the Wind by Scott Weidensaul. There's not much to say about this book -- it's about bird migration, essentially, with some talk of conservation as well. I found it really, really interesting, but I'm aware that most people wouldn't, not for 400 pages anyway. But I've read a few others of Weidensaul's books, and though obviously very knowledgeable and experienced in bird study, he has a talent for writing about it in a very accessible way.

So that's my year in books. I've already got a lot on my plate for 2008: the Jane Austen books, of course, and I'm slowly working on a book about Lincoln's presidency as well.

What good books have you read lately? Any recommendations? Or any interesting books on your to-read list?

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10 January 2008

confession

I pride myself on being a literary type. I'm a book snob, I'm a book nerd, I want to be a librarian when I grow up because I just like to be in the presence of books so much. I took several college English courses, and thought briefly of being an English major. I read for fun! (A trait that is becoming more and more rare, it seems.) I even read poetry.

Yet, with all those qualifications, I have to confess that I've never read a Jane Austen book. I've not even read a single sentence of a Jane Austen book. I've never even seen a movie made from one of her books, so I can't even pretend I've read her. Everyone I know who has read her has told me I'd love her. I know I would. It's hard to really call myself a book person with this hanging over my head. I just haven't gotten around to it yet.

But! I finally have the motivation to start. I found out a while ago that PBS, starting this Sunday, is going to be showing movie adaptations of all of Jane Austen's books on Masterpiece Theater. So I've decided to read all of her books along with seeing the movies. I'm sure I won't be able to keep up with the tv schedule, but darn it, I'm going to try. And hopefully I will succeed, and remove the biggest piece of nagging literary guilt from my brain. Wish me luck.

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17 December 2007

'tis the season: holiday books

We are a bookish family. Okay, well, to be precise, I am a very bookish person, and I'm doing my best to pass on a love of reading to my boys. One of my favorite things about being a parent is introducing my kids to things I loved as a child (and still love). I had so much fun reading Charlotte's Web to James, and I am waiting impatiently to start reading him the Little House books. But it's also a ton of fun to discover new books together with my children.

This year we've started a holiday book collection. We've always had holiday books, but this year we've collected them in one place and plan to make it a tradition to read our favorites every year. Below the fold, I've compiled a list of some of our favorite holiday and winter children's books, both classics and new favorites.

One of our favorite children's authors in general, ever since Greg's mom got us one of her books years ago, is Jan Brett. Her illustrations are intricate and beautifully drawn, and are wonderful accompaniments to fun stories. The Hat and The Mitten are two of our favorite winter stories, so I was excited to see that this year, she'd come out with a version of The Night Before Christmas. I've been wanting to buy a copy of this poem for the boys, and when I saw Brett's at the bookstore, I knew it was the one. The classic Clement Moore poem with Brett's illustrations is a beautiful combination.

Next on the list, a modern classic, How The Grinch Stole Christmas. This is one of the rare children's books that I can read over and over without tiring of it. Which I had to do when Evan went through a Grinch phase a few months ago, and and requested it every day at naptime, and sometimes bedtime, for god only knows how many days. But the magic of Dr. Seuss is that the rhyming and nonsense words are fun even for grown-ups to say, and until you really memorize it, you have to pay attention for the trickier phrases. And the story can't be beat -- a Scrooge-like cave-dwelling creature learns the true meaning of Christmas just in time to redeem himself. We also love the movie (the original movie, that is, not the horrible Jim Carrey remake), which is very faithful to the book.


Another new favorite, also introduced to us by Greg's mom, is Olive, the Other Reindeer. What could be cuter than a little dog who thinks she's a reindeer? She tries her hardest to help Santa on Christmas Eve -- and succeeds, too, in unexpected ways. This one is really a lot of fun to read, and popular with the kiddos, because that dog is just SO cute.



The last book I'm going to mention is another family favorite, The Polar Express. Haven't seen the movie (sources tell me it's not worth it) but the book is one of those magical Christmas stories that kids and adults love. The illustrations are beautiful, and to combine the Santa myth with a train? Genius, as far as kids are concerned.

And that's it for the holiday books we own, though I have to note two of my favorite Christmas stories, both of which I'm trying to find in children's versions with illustrations I like (tricky, because I'm kind of picky about things like that): The Nutcracker, and A Christmas Carol. Actually, I hope to eventually start a tradition someday of going to see each of those live (we nearly went to see A Christmas Carol at a local theater over the weekend, but it turns out that even with the family discount, we still couldn't afford it), but it won't hurt to have books as well. As I always say (and as Greg always disagrees with me), there's no such thing as "too many books".


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13 December 2007

'tis the season: rampant consumerism

Okay, this is not strictly a holiday post per se, but I figured that Christmas is the perfect time to write a bit about consumer culture and marketing. Everyone, at this time of year, feels the pressure to buy. If you're a parent, you're feeling it even more, because in addition to the ordinary media pressure to spend a lot of money on your family and friends, you have small children begging you for every cool new thing they lay eyes on, because they know that presents are coming. Lots of parents can shift the responsibility to Santa, but since we don't do Santa, we're stuck looking like Scrooges when we don't come through with the cool gifts. And this is the first year where either of our children has really cared about particular presents. I guess I should be glad they waited this long.



Yesterday I read this piece by Barbara Ehrenreich in The Nation about the ubiquity of the Disney princesses. The popularity of Disney princesses for little girls is the flip side of Star Wars and superheroes for little boys, with a slight difference -- little boys' loyalties and affections are divided between Star Wars and Transformers and Superman and Spiderman, while for little girls, the Disney princesses are it. There aren't any competitors in the same league, at least not for a particular age group. Ehrenreich covers the problems inherent with having princesses as role models, but she doesn't get into why they are so popular, so desired by little girls everywhere. I can answer that, at least in part.

This topic is really interesting to me, especially in light of the book I'm currently reading, Buy, Buy Baby: How Consumer Culture Manipulates Parents and Harms Young Minds, by Susan Gregory Thomas. Thomas writes about how consumer culture has evolved over the last few decades, and the ways in which toy companies market to children and prey on the fears and insecurities of parents in order to generate huge profits. It's been a really interesting read so far, in many ways. Where do the Disney princesses come into this? Thomas devotes a whole chapter to the Disney princess phenomenon and its financial success. It's a perfect example of a product being relentlessly marketed to young children (you can find Disney princesses on merchandise ranging from toothbrushes to bedroom decor to clothing to board games). It also falls into the category of appealing to parental nostalgia. Have you noticed the comeback of '80s characters like the Care Bears, Transformers, Strawberry Shortcake? It's not a coincidence that the children who grew up on these toys are now beginning to have kids of their own.

Thomas cites studies that show that the only measurable thing toddlers and babies learn from watching TV is character recognition. So it's not that little girls inherently want to be beautiful princesses, it's that from the time they are very small, they are saturated in a consumer culture where corporations deliberately target children as consumers. Children begin to form an emotional attachment, through repeated exposure, to a character. Children are incredibly succeptible to marketing, because until the age of 7 or 8, they are unable to understand the idea of persuasion, and at younger ages, can't tell the difference between fantasy and reality. They love Cinderella because they've watched her videos and they have her nightgowns and sleeping bags -- they think of her as a friend because of her presence in their lives -- and so naturally they will want the Cinderella tent and the Cinderella DVD player.

This is true not just of Disney princesses, of course, but all kinds of characters. For my own boys it's Pokemon and Star Wars. Star Wars Monopoly is superior to regular Monopoly because it has Star Wars characters and pictures. I have noticed that my kids are affected not only by media directed at them, but even by media that's not aimed at children. Greg and I were recently having a conversation about diamonds (and nothing positive, because I am not a fan of diamonds) and James, just overhearing the key word, pipes up, "Diamonds? Go to Zales. They're the diamond store," in his most helpful tone. (Also, as a side note: James heard me telling Greg a statistic from the book -- that over a quarter of kids under two have a television in their bedrooms, which I think is appalling -- and said incredulously, "A TV in their BEDROOM? Can I have one??")

I'm pretty anti-consumerism in general, but reading this book makes me want to sell my television and never set foot in a mall again. But it is really helpful to be reading it right now, at this time of year, because I'm able to realize that the overwhelming urge for holiday consumerism I'm feeling, and the ridiculous gift lists my son is composing, are products of the capitalist marketing machine. We are feeling this way because there are people out there whose job it is to make us feel this way, and they are good at what they do. They are getting rich because they are skilled at manipulating consumers. It's casting a new light on the Christmas season for me. I'm not even finished with the book but I'd recommend it to anyone, especially parents.

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25 October 2007

these are a few of my favorite things

It's a books and music post!

Hopefully you've noticed my fancy new sidebar. I love talking about books and music, recommending things to people, and getting recommendations, but this isn't a books-and-music-blog* so I don't want to bore you all by constantly gushing about this really cool book on migratory birds which would bore most of you to tears. I'm aware of my eclectic (and sometimes questionable) tastes, so for your sake, I keep that sort of thing to a minimum.

So my new sidebar is a way of letting you know what I'm currently into, and you can feel free to comment on it, or ignore it, or criticize it, or whatever. I'm mostly mentioning it because I feel pretty proud of myself for managing to figure out the HTML to post those pretty little linked pictures.

I don't have anything important to say about the things I'm reading or listening to -- the books are still in progress, but are obviously interesting enough to keep me reading, and the CDs are all my style, which may not be your style, so maybe you'd like them and maybe you wouldn't. I have to say that my favorite of the 3 CDs at right is the Scissor Sisters, who are poppy and funky and fun, though I can recognize that they are certainly not for everyone**. If you think you can handle Pink Floyd's "Comfortably Numb" set to a synthesized, BeeGee-esque beat, then check them out. If that idea abhors you, then maybe you should not listen to my musical recommendations.

Wait, I do have one important thing to say: John Lennon is magic. The CD I'm listening to is a collection of covers of John Lennon songs, made by Amnesty International to raise money for the Darfur crisis. I noticed when looking at the track list that there are two covers of "Imagine" -- one by Jack Johnson and one by Avril Lavigne. Seeing Avril's name made me roll my eyes. Obviously Jack Johnson would do a better "Imagine". I'm not a fan of Avril's music, and I've loathed her on priciple ever since I heard that she mispronounced David Bowie's name at an awards ceremony. DAVID BOWIE, people. Come on! But "Imagine" came on and... I like it. Avril can actually sound good when she has good music to work with. In fact, I prefer her simple piano arrangement to Jack Johnson's version. That, my friends, is the magic of John Lennon.

On to books, in general. A bookworm like me is always looking for good new books, or to talk about books, and now that my once-infrequent book club is officially disbanded, I'm desperate for book talk. But I've found a really cool site that is helping me out in that regard. A few months ago, Dawn invited me to GoodReads, and I've finally gotten around to checking it out. And I immediately joined and then invited some friends who are just as bookish as I am. You can rate books, see what other people are reading and see what your friends think of the books they've read. My profile is here; if you're interested, sign up and add me. We can talk books!

So what are you reading and listening to?

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*So what kind of blog is this then? I'm not sure, but I think I just don't want to give in to having a label.

**Update: I forgot to add that the Scissor Sisters can be kind of dirty, and this is probably not a good disc to play around the kiddos (if you have kiddos). Just so you know.

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10 August 2007

obviously he wasn't writing for parents of kids like evan

Despite the whole moving business, I have, of course, managed to get in some quality reading. How else would I maintain my sanity without reading about people whose lives are worse than mine?

Seeing as I'm apparently one of the few Americans who never had to read Aldous Huxley's Brave New World in high school, I decided it was finally time to read it myself. I enjoyed it, mostly. But I have a feeling I didn't take away the exact message Huxley intended to send.

If you haven't read the book, allow me to fill you in: it takes place in a futuristic society where humans are bred and brainwashed to fulfill a particular role in society. Everything is strictly managed by the state and people are stripped of any decision-making or free thought or individuality, yet brainwashed to believe they couldn't be happier. I get the point of the book: freedom and democracy and truth are better than all-powerful government control of mindless, soulless, emotionless, brainwashed drones. Right.

But I couldn't help thinking, as I read, that some features of this society were pretty attractive when you have a child in the terrible twos. All children are raised in state-operated conditioning centers? All children are trained to be docile and submissive? In fact, parents don't exist at all? Also, free drugs whose effect simulates a long vacation from the real world?

Of course, if I didn't have the children, I wouldn't need the drugs. But this whole no-parenting idea is something I spent some serious daydreaming time on. I'm pretty sure that wasn't what I was supposed to get from the novel, but hey, parenting really changes your perception sometimes.

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06 March 2007

i'm so spoiled

Yesterday, James went home from nursery school with a friend of his to play for the afternoon, and this afternoon, he is at some kind of preschooler gym class with another friend. Combine that with the long naps Evan has been taking lately (because he's been waking up at 6am) and I've been having a good time the last couple of days.


And -- you're not going to believe this -- I haven't been completely lazy the entire time! When left to my own devices, I occasionally spend my time doing something worthwhile. Observe:

I made pillowcases! (Hey, Mom! I used my sewing machine!) I guess I don't completely fail in domesticity after all. Our couch pillows were getting worn and ratty, so yesterday I bought fabric and made pillowcases for our hideous old pillows. (Because, remember, instead of fixing things, I cover them up. Much less effort that way.)

So, I'm awfully pleased with myself. It only took a couple of hours without the kids shrieking and climbing on me to actually accomplish something. Amazing. Of course, today I'm getting a couple of hours to myself again and so far I've spent most of my free time on LibraryThing, updating my library, and next I'm planning to upload and sort a bunch of photos, but still, those are accomplishments. Not important ones, but I've spent plenty of time in my life doing much less productive things.

It is just so nice to have time to myself. I don't think I can stress that enough. And I will be sad tomorrow when I have to be with both of my kids all day long again. But hey, we only have seven months until kindergarten! I'm starting to look forward to that.

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18 February 2007

anatomy is inappropriate for children

The New York Times has an article about a children's book that was just awarded the Newbery Medal, "the most prestigious award in children's literature." It's rated at 4.5 stars on amazon.com; reviews are positive, saying things like "[the main character is] a multi-dimensional character whose predicament is compelling", "Readers will gladly give themselves over to [author Susan] Patron, a master of light but sure characterization and closely observed detail", and "Patron's plotting is as tight as her characters are endearing." As far as I've been able to tell, it contains no sex scenes, no promotion of Satanism, and no graphic violence, yet school libraries all over the country are refusing to purchase it. What could be so terrible about this book that should deem it worthy of widespread censorship?

Well, it contains the word "scrotum."

Yes, you read that right. Scrotum. Scrotum scrotum scrotum. And it's not that a scrotum is seen by a character or described by the author, no, but the word is overheard by the main character, a 10-year-old girl, who is puzzled and intrigues by the word. And why don't librarians want to purchase this book for their libraries, despite its obvious merits? According to a librarian in Brighton, NY (literally minutes from where we live), "I don’t think our teachers, or myself, want to do that vocabulary lesson."

That's what it really comes down to, isn't it? A "poignant Newbery-winning story [that] sails along with believable childlike rhythms and kid's-eye-view observations" is being censored from schools because the word "scrotum" appears on page one, and adults do not want to be faced with describing an anatomical term to middle-schoolers. One would think that these squeamish librarians, being librarians and all, might also have access to books featuring anatomical diagrams, thus relieving them of the problem of even saying the word "scrotum", much less having to explain it! No, it's far easier just to ban the book.

This makes me a little angry, but mostly sad. Is it really so terrible to ackowledge the sexual parts of the human body? It reminds me of a recent conversation in which some friends of ours expressed surprise that James is familiar with the words "penis" and "vagina", and has in fact occasionally seen his parents in various states of undress. It kind of baffles me. The only reason, I think, that anatomical words carry such mystery and secrecy about them is because we make it so. If our culture were less afraid to admit that every male person possesses a penis (and a scrotum) and every female person possesses a vagina, perhaps we'd allow our children to read a book which is not about sex or even naked people, but instead is a touching story about a young girl growing up that happens to contain the word "scrotum".

I think the next time James has a bath, I'll make sure he knows what his scrotum is and where, because it is his body, and since he's five years old, not really any more important than his knee or his kidney at this point.

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10 January 2007

2006 in books

Taking a cue from Kim, I bring you the list of books I read in 2006:

1. Mismeasure of Women: Why Women Are Not the Better Sex, the Inferior Sex, or the Opposite Sex by Carol Tavris
2. The Historian by Elizabeth Kostova
3. God Bless You, Dr. Kevorkian by Kurt Vonnegut
4. The Story of Jane: The Legendary Underground Feminist Abortion Service by Laura Kaplan
5. The Handmaid's Tale by Margaret Atwood +
6. Gorillas in the Mist by Dian Fossey
7. And Then There Were None by Agatha Christie +
8. Bait and Switch: The (Futile) Pursuit of the American Dream by Barbara Ehrenreich
9. Galapagos by Kurt Vonnegut +
10. A Fine Balance by Rohinton Mistry *
11. 1421: The Year China Discovered America by Gavin Menzies
12. The DaVinci Code by Dan Brown +
13. Never Let Me Go by Kazuo Ishiguro
14. When the Elephants Dance by Tess Uriza Holthe *
15. Return to Wild America: A Yearlong Search for the Continent's Natural Soul by Scott Weidensaul
16. Song of Solomon by Toni Morrison
17. White Oleander by Janet Fitch
18. Collapse: How Societies Choose to Fail or Succeed by Jared Diamond *
19. Under the Banner of Heaven: A Story of Violent Faith by Jon Krakauer
20. Tulipomania: The Story of the World's Most Coveted Flower and the Extraordinary Passions it Aroused by Mike Dash
21. Under a Wild Sky: John James Audubon and the Making of Birds of America by William Souder
22. The Conjurer's Bird by Martin Davies
23. The City of Falling Angels by John Berendt
24. Black Swan Green by David Mitchell
25. Family Matters by Rohinton Mistry

+ = re-read
* = book club selection

Kind of a small list, for me, this year, but I did not include all of the cookbooks, graphic novels or children's books I read, and there were several of each of those, particularly children's books that I read with James.

Now for the awards!

Best Fiction: The Rohinton Mistry books win hands-down in this category. Both are dense, rich, moving stories with lots of character development. Historical setting and background are also important to both books, and I learned a bit about India as a result. Mistry is a really talented author, propelling his characters through multiple interwoven plots over many years without losing momentum. These are two of the best novels I've ever read, let alone this year.

Runner-up: Black Swan Green. David Mitchell is not for everyone -- his novel is not plot-driven, but more character driven, and instead of a straightforward story we are given periodic glimpses into the life of a thirteen-year-old boy. Some things are not resolved, and it feels a little incomplete, but it kind of feels more realistic that way, as if we're reading selected passages from the protagonist's diary. One of my favorite things about David Mitchell (this is true of his novel Cloud Atlas as well) is his ability to seamlessly, flawlessly slip into the voices of his characters.

Honorable Mentions: Song of Solomon, Never Let Me Go.

Best Non-fiction: This would have to be Collapse, simply because it covers so much and does it so well. It's almost like reading a textbook, but it's very well-written, accessible, well-researched, and convincing. It ties societal collapse to environmental destruction, and it made me start looking differently at the ways in which we live in the world. It's a little bleak -- mostly because of the enormity of the damage we've inflicted on the planet -- but that's almost a good thing, because it emphasises the severity of the problems we had in the past, the problems we're having in the present, and the problems we're likely to face in the future.

Runner-up: Return to Wild America. It covers some of my favorite stuff -- conservatoin, ecology, history -- while comparing the environmental status of today to that of America in 1953 as observed by Roger Tory Peterson and James Fisher in their book Wild America. Weidensaul, like Peterson & Fisher before him, focuses primarily on birds, but looks at them all across the continent and as part of the larger picture of the environment. He also manages to throw in some subtle digs at the Bush administration, which is always a plus in my book.

Honorable Mentions: Gorillas in the Mist, Under the Banner of Heaven, Under a Wild Sky.

Worst Non-fiction: I only put this category in because there was a book I really wanted to like, but just couldn't, and that's 1421: The Year China Discovered America. Menzies had a really intriguing premise (that the Chinese reached the Americas before Europeans did) and some interesting, if debatable, supporting evidence, but there were parts of his book that were so bad, I just couldn't take the rest of it seriously. For example, when presenting the evidence for your case, who writes something to the effect of "I've asked professionals to evaluate this, but they've refused my request, so until I find someone to authenticate my hunch, I'm going to assume it's true" or "I haven't yet finished this research, but by the time you read this book it should be on my website"? Sloppy and un-academic, and these methods turned me off to what otherwise might have been a pretty decent read.

Best Fluff: The Conjurer's Bird. I got this book from the library because I liked the title and the cover art, so I was pleasantly surprised to find that I liked the story as well. Part mystery, part romance, with some history and nature thrown in, it was a quick and entertaining read.

Runner-up: The Historian. Another mystery, this one suspenseful, and incorporating history and vampire legends into its plot. Overall it was pretty entertaining, and it went a lot quicker than its imposing 600+ pages would suggest. I thought the ending was kind of a cop-out, and it could have easily been a couple of hundred pages shorter, but I did rather like it for what it is.

So there's my year in books. I have to say, most of them I really did enjoy, and in some cases (non-fiction especially) it was hard to choose a favorite. And there were actually no books that I flat-out didn't like -- 1421 annoyed me, but it was interesting, and yes, I did enjoy The DaVinci Code, which is why I've read it twice. To paraphrase something I once read (I can't remember where now), filet mignon is clearly superior, but sometimes you just want a burger.

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27 September 2006

happy banned books week!

As usual, I'm a little late to the party, but we are in the middle of the American Library Association's Banned Books Week, "Celebrating the Freedom to Read". When I was a junior in high school I wrote a research paper on censorship, and even then, as a pretty conservative Christian teen, I came down strongly on the side of free speech. Even then I was appalled at some of the reasons people tried to ban books and stories. I think my favorites were the fairy tales: "Robin Hood" promoted socialism; "Jack and the Beanstalk" taught the defiance of authority (or some such nonsense). It's really interesting (and sad) to me that some ideas are so frightening and dangerous to some people that they want them to be suppressed and/or destroyed.

It's the 25th year the ALA has celebrated Banned Books Week, so in honor of their anniversary, I'll list 25 books that have I have read that have been banned, and which I whole-heartedly recommend.

1. The Chocolate War by Robert Cormier
2. Of Mice and Men by John Steinbeck
3. Harry Potter (series) by JK Rowling
4. Bridge to Terabithia by Katherine Paterson
5. My Brother Sam is Dead by James Lincoln Collier and Christopher Collier
6. The Catcher in the Rye by JD Salinger
7. The Giver by Lois Lowry
8. The Color Purple by Alice Walker
9. A Wrinkle in Time by Madeleine L'Engle
10. In the Night Kitchen by Maurice Sendak
11. The Witches by Roald Dahl
12. The Handmaid's Tale by Margaret Atwood
13. Julie of the Wolves by Jean Craighead George
14. The Bluest Eye by Toni Morrison
15. To Kill a Mockingbird by Harper Lee
16. Flowers for Algernon by Daniel Keyes
17. James and the Giant Peach by Roald Dahl
18. Ordinary People by Judith Guest
19. Are You There, God? It's Me, Margaret by Judy Blume
20. Slaughterhouse-Five by Kurt Vonnegut
21. Lord of the Flies by William Golding
22. Song of Solomon by Toni Morrison
23. Cujo by Stephen King
24. Carrie by Stephen King
25. American Psycho by Bret Easton Ellis

Okay, so I can't whole-heartedly recommend the last three, but not because they're tremendously offensive and I want them banned. I don't like Stephen King books now, mostly because I'm not into that whole genre anymore, but I do consider his books an important stepping-stone in my literary development over the years. I wouldn't recommend American Psycho because it disturbed me more than anything I've ever read -- it's incredibly violent and graphic -- but that doesn't mean that no one should be allowed to read it. As far as I know, most people who read books like American Psycho do not go out and imitate the violence they've read about, but rather understand that books like those are portraits of sick, highly disturbed individuals.

I'm planning to have a pretty liberal stance on books in our home. In fact, James has already read a couple of the books on the list -- In the Night Kitchen (ooh! A little boy's naked bottom!), and James and the Giant Peach (I think this must have been banned for some language reasons, though I don't know for sure -- but I do remember a few mild curses such as "damn" and "hell"). Many of the books on that list are books that I will insist he read, some because they're wonderful, imporatant pieces of literature (To Kill a Mockingbird, The Handmaid's Tale), some because I loved them so much growing up (Julie of the Wolves, My Brother Sam is Dead, A Wrinkle in Time). I think there's very little I would discourage my children from reading, because even the worst, trashiest books I've ever read (ahem... Flowers in the Attic, anyone?) have taught me something, even if only how to distinguish good literature from bad. I've read a lot of garbage in my time, but who would I be if I'd never read RL Stine books, or Scary Stories to Read in the Dark?

So how about you? Do you have any banned books to recommend?

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17 September 2006

books, glorious books

If you've read the post below, you'll recall that yesterday did not get off to a wonderful start. I was in kind of a bad mood for most of the morning, so by the time afternoon rolled around, I decided I needed something to cheer me up -- and that something must not involve my children, the source of my (temporary) misery. So I went shopping.

Most women -- stereotypically -- get psyched about shoe shopping, or clothes shopping, or make-up or whatever. Me, I get excited by thrift stores, cooking stuff (I have a list a mile long of items I need to improve my kitchen), and food shopping (seriously, I love grocery shopping, especially when my kids are not with me), but most of all by books. And among bookstores, my favorite ever is a narrow, creaky, crowded little book-lover's paradise, crammed to the ceiling with used books, tucked away in the back of a building on a main street downtown.

Now, really, even going to a bookstore and browsing without buying is enough to lift my mood. I really didn't intend to buy anything! But I came home the happy owner of 6 gently-used books. It was so hard to choose; I could easily have bought twice as much as I did. I left behind books by Toni Morrison, Amy Tan, The Amazing Adventures of Kavalier and Clay by Michael Chabon, The Time-Traveller's Wife by Audrey Niffeneger, Family Matters by Rohinton Mistry, books by Vonnegut and Bill Bryson.

So what did I buy? In no particular order:

  • A Room of One's Own by Virginia Woolf
  • Lord of the Flies by William Golding
  • The God of Small Things by Arundhati Roy
  • Everything is Illuminated by Jonathan Safran Foer
  • The Blind Assassin by Margaret Atwood
  • Middlesex by Jeffrey Eugenides

A lack of disposable income causes me to be a conservative book shopper -- I tend to buy only books I've read before and loved, or I buy classics that I think I should probably have read by now, but I somehow missed in all of my high school and college English classes. So it's nice when I find used books in good condition and pay a fraction of the price I'd pay if buying them new. (In this case, $75 worth of books are mine for just $30.)

And this morning I played two ultimate frisbee games, so I'm not up for much other than sitting around and reading and relaxing tonight. Perfect. Today, I am happy.

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01 September 2006

chocolate obsession

Those of you who know me know that I like chocolate. Just a little bit. So imagine my delight coming across this book in the library today: Chocolate Obsession. It was the title that drew me in, but then I saw the author's name, and I nearly swooned. You may or may not be familiar with Michael Recchiuti, but he is the creator of Recchiuti chocolates. Admittedly, I have never actually eaten any of his chocolates, because as much as I love chocolate, I'm not interested in being bankrupted by it. But I have spent a considerable amount of time drooling over the Recchiuti website, because damn. Those are the prettiest, most exotic-sounding chocolates I've ever seen.

But now! There is a book! And I can (theoretically) make my own Recchiuti chocolates! I have a feeling that my kitchen is woefully understocked for chocolate-making, and that even making Recchiuti chocolates wouldn't fit my budget, but nonetheless, the possibility now exists. I hardly ever set concrete goals for myself, because I am a lazy, unmotivated person, but I vow here and now that I will someday attempt to make Recchiuti chocolates.

Incidentally, in case you've been agonizing over what to get me for my birthday -- only 79 days away, after all -- you've now got an idea. The book or the chocolates; I'm not picky.

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08 July 2006

book recommendations

This week I read two novels, which is something I haven't done in a long time. First, I hardly have time to read that much anymore, though summer is nice, because sometimes all you can do in the too-hot heat is lie around and read for a while. Second, I've been reading so much non-fiction lately that I haven't really been interested in fiction for a long time. So taking the time to dive into a couple of novels was really nice.

I read Song of Solomon first; I haven't read much of Toni Morrison's work, but what I've read, I've really enjoyed. Her prose, her language, is beautifully written, and the story was moving. The second book was White Oleander, by Janet Fitch; also a moving book, in a different way.

What I didn't realize before choosing these books was how similar they'd be. They're very different, in writing style, in setting, in plot, in characterization. But the central theme to both novels is of a character figuring out who to be beneath the shadow of his or her family and past. That both main characters were children strongly affected by their parents gave me cause for reflection as well.

I'm not very good at briefly re-capping plotlines, so I'll just say that if you like well-written, compelling novels with interesting characters and moving plots, and if you don't mind a little (or a lot of) sadness along the way, check out these books. Also, interestingly enough, both books have been chosen for Oprah's Book Club, so if that sort of thing matters to you, well, there you go. That's not why I chose them, but to me it's a good sign anyway. I won't read a book simply because Oprah said so, but I've found that the books she chooses are typically very, very good; wonderful, even.

Also, on the kid front, James has been obsessed with Dr. Seuss's The Lorax lately. I've read it to him several times over the last few days (every time we finish it, he immediately asks me to read it again) and he loves it so much he's even attempted to read it himself, which, for a book of its size (72 pages, according to Amazon), and his reading level and attention span, is pretty impressive. It's a nice little environmental tale, with all the charm of any Dr. Seuss. I remember loving it as a kid, too, so it's no surprise to me that James loves it so much.

Any books to recommend, for adults or kids?* We read just about anything around here.
__________________
*I love asking questions on my blog, because no one ever answers them. Don't worry, I like talking to myself. Don't think that just because you're reading this, that I'm talking to you.

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06 July 2006

just because

Just because I like poetry, and because it's July, I'm posting a Sylvia Plath poem that I particularly like:

Poppies in July

Little poppies, little hell flames,
Do you do no harm?

You flicker. I cannot touch you.
I put my hands among the flames. Nothing burns

And it exhausts me to watch you
Flickering like that, wrinkly and clear red, like the skin of a mouth.

A mouth just bloodied.
Little bloody skirts!

There are fumes I cannot touch.
Where are your opiates, your nauseous capsules?

If I could bleed, or sleep! -
If my mouth could marry a hurt like that!

Or your liquors seep to me, in this glass capsule,
Dulling and stilling.

But colorless. Colorless.

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02 May 2006

on bird watching and conservation

I've never really been a fan of birds. Never found them very interesting, and in fact, I've always thought they were a little creepy. Those beady black eyes... My distaste for birds only grew when I dated a boy in high school whose family owned a cockatiel (I think it was a cockatiel; big white bird anyway) that alternately screeched and mumbled demonically, and two bitey African greys (though they were very good at mimicry, which was pretty neat). The eyes, the talons, the skittishness, all contributed to my opinion that birds were best avoided.

But I've come to realize, over the last few years, that birds are actually pretty cool. Even amazing. I mean, dude, there's a bird that can moonwalk! How many other animals can claim that? And March of the Penguins showed the world just how awesome penguins are. But what really interests me is watching the birds in my own neighborhood. The diversity just in this small area is kind of astounding to me. Birds I've seen in our backyard include robins, crows, sparrows, chickadees, cardinals, starlings, woodpeckers, blue jays, and morning doves, off the top of my head. There is a pair of geese who have taken up residence in the neighborhood (this morning one of them stood on the roof of one of the buildings and honked incessantly for at least ten minutes, while the other stood below on the ground, beating his wings and strutting around). There are also hawks in the area, though not in our immediate neighborhood, and there's the occasional seagull flying through. That's a dozen that we've seen, right here in one little corner of the world. I still wouldn't want to own one -- I don't like the way they look at me -- but to watch them in the wild is pretty interesting.

Thinking about the diversity of birds makes me think about the diversity of life in general on this planet. I like reading books about animals and extinction (two of the best I've read are Monster of God by David Quammen and The Ghost with Trembling Wings by Scott Weidensaul). I think the diversity of life on this planet is unspeakably amazing, and to learn about how different animals have evolved and learned to survive is fascinating. That's why I was so sad to read this article about a report from a Swiss-based conservation group that predicts the extinction of more than 16,000 species of plants and animals, thanks in large part to humans' destruction of natural habitats. It's a hard situation, though; I recently read Gorillas in the Mist by Dian Fossey, and that book really impressed on me the difficulties of conservation work when it comes into conflict with local people. It's easy to be a conservationist from the vantage point of a middle-class suburban American, but it's a different story in developing nations where people are struggling just to survive from day to day. If the only way to feed your family is to cut down trees and sell the wood, or to kill animals and sell their parts, what will your priority be? Who's going to starve their family to allow an animal to survive? When it's a choice between conservation and personal survival, I don't blame people for choosing their own lives.

But it is tremendously sad for me to think about the world my children are inheriting. The Yahoo article says that the most widely accepted estimate of the number of species on the planet is 15 million -- how many will be left when my sons are adults? The article says there are 65 species that exist only in captivity -- how much higher will that number be when my children are grown? I don't know whether there's even a way for humans and nature to coexist peacefully, to maintain a balance. Our track record so far shows that it's pretty near impossible on our part to live and let live. As our population increases at alarming rates, it will probably only get worse.

Sorry to get all depressing there. Consider this my late Earth Day post. Consider donating money to a conservation organization, or even visiting your local zoo, since zoos are often involved with conservation work too. We've got a totally amazing, wonderfully diverse planet, but it's disappearing. We've got to at least try, right?

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30 April 2006

national poetry month comes to an end

I've done a pretty terrible job with National Poetry Month; it was my intention to post poems on a regular basis, but I guess I just got lazy and forgetful. Story of my life. Anyway, I thought I'd post one more poem for the month, one I was only recently introduced to and immediately fell in love with. I can't tell you exactly what I love about this poem, because I'm the sort of poetry lover who usually can't explain what a poem means, or anything about it. I'm the type who loves a poem for the language, and the feelings and images that language evokes in me. I love it as an art form as much as I love any message or story a particular poem might have.

Before I post the poem (because it's long, and I don't expect that you'll all read to the end of it, though I highly recommend that you do), I'd like to put some questions to my readers (who, I've found, number perhaps six or seven, or possibly even eight, instead of the four I previously presumed): What are your favorite poems? Who are your favorite poets? Which poetry has really moved you? Post some good poetry in the comments; there's little I like better than being introduced to poetry and poets I haven't read. And please, no comments about hating poetry -- I'm convinced that anyone who says that just hasn't read the right poem yet. There's one out there for each of us.

And now, on to the poem:

The Love Song of J. Alfred Prufrock by T.S. Eliot


S’io credesse che mia risposta fosse
A persona che mai tornasse al mondo,
Questa fiamma staria senza piu scosse.
Ma perciocche giammai di questo fondo
Non torno vivo alcun, s’i’odo il vero,
Senza tema d’infamia ti rispondo
.*

Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherised upon a table;
Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent
To lead you to an overwhelming question …
Oh, do not ask, “What is it?”
Let us go and make our visit.

In the room the women come and go
Talking of Michelangelo.

The yellow fog that rubs its back upon the window-panes,
The yellow smoke that rubs its muzzle on the window-panes
Licked its tongue into the corners of the evening,
Lingered upon the pools that stand in drains,
Let fall upon its back the soot that falls from chimneys,
Slipped by the terrace, made a sudden leap,
And seeing that it was a soft October night,
Curled once about the house, and fell asleep.

And indeed there will be time
For the yellow smoke that slides along the street,
Rubbing its back upon the window-panes;
There will be time, there will be time
To prepare a face to meet the faces that you meet;
There will be time to murder and create,
And time for all the works and days of hands
That lift and drop a question on your plate;
Time for you and time for me,
And time yet for a hundred indecisions,
And for a hundred visions and revisions,
Before the taking of a toast and tea.

In the room the women come and go
Talking of Michelangelo.

And indeed there will be time
To wonder, “Do I dare?” and, “Do I dare?”
Time to turn back and descend the stair,
With a bald spot in the middle of my hair—
(They will say: “How his hair is growing thin!”)
My morning coat, my collar mounting firmly to the chin,
My necktie rich and modest, but asserted by a simple pin—
(They will say: “But how his arms and legs are thin!”)
Do I dare
Disturb the universe?
In a minute there is time
For decisions and revisions which a minute will reverse.

For I have known them all already, known them all:—
Have known the evenings, mornings, afternoons,
I have measured out my life with coffee spoons;
I know the voices dying with a dying fall
Beneath the music from a farther room.
So how should I presume?

And I have known the eyes already, known them all—
The eyes that fix you in a formulated phrase,
And when I am formulated, sprawling on a pin,
When I am pinned and wriggling on the wall,
Then how should I begin
To spit out all the butt-ends of my days and ways?
And how should I presume?

And I have known the arms already, known them all—
Arms that are braceleted and white and bare
(But in the lamplight, downed with light brown hair!)
Is it perfume from a dress
That makes me so digress?
Arms that lie along a table, or wrap about a shawl.
And should I then presume?
And how should I begin?

. . . . .

Shall I say, I have gone at dusk through narrow streets
And watched the smoke that rises from the pipes
Of lonely men in shirt-sleeves, leaning out of windows?…

I should have been a pair of ragged claws
Scuttling across the floors of silent seas.

. . . . .

And the afternoon, the evening, sleeps so peacefully!
Smoothed by long fingers,
Asleep … tired … or it malingers,
Stretched on the floor, here beside you and me.
Should I, after tea and cakes and ices,
Have the strength to force the moment to its crisis?
But though I have wept and fasted, wept and prayed,
Though I have seen my head (grown slightly bald) brought in upon a platter,
I am no prophet—and here’s no great matter;
I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid.

And would it have been worth it, after all,
After the cups, the marmalade, the tea,
Among the porcelain, among some talk of you and me,
Would it have been worth while,
To have bitten off the matter with a smile,
To have squeezed the universe into a ball
To roll it toward some overwhelming question,
To say: “I am Lazarus, come from the dead,
Come back to tell you all, I shall tell you all”—
If one, settling a pillow by her head,
Should say: “That is not what I meant at all.
That is not it, at all.”

And would it have been worth it, after all,
Would it have been worth while,
After the sunsets and the dooryards and the sprinkled streets,
After the novels, after the teacups, after the skirts that trail along the floor—
And this, and so much more?—
It is impossible to say just what I mean!
But as if a magic lantern threw the nerves in patterns on a screen:
Would it have been worth while
If one, settling a pillow or throwing off a shawl,
And turning toward the window, should say:
“That is not it at all,
That is not what I meant, at all.”

. . . . .

No! I am not Prince Hamlet, nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two,
Advise the prince; no doubt, an easy tool,
Deferential, glad to be of use,
Politic, cautious, and meticulous;
Full of high sentence, but a bit obtuse;
At times, indeed, almost ridiculous—
Almost, at times, the Fool.

I grow old … I grow old …
I shall wear the bottoms of my trousers rolled.

Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.

I do not think that they will sing to me.

I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.

We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.

________________
*From Dante's Inferno; Guido da Montefeltro, a thirteenth-century Italian military and political leader, in the eighth cirlce of hell (fraud) tells Dante his story because he believes that Dante will never be able to repeat it: "If I thought my answer were to one who would ever return to the world, this flame should stay without another movement; but since none ever returned alive from this depth, if what I hear is true, I answer thee without fear of infamy."** Likewise, Prufrock tells his sad story because he thinks it will never be repeated.***

**From my copy of Dante's Inferno, translated by John D Sinclair, which I possess because I took an entire course on it in college -- just the Inferno, not Purgatorio or Paradiso; although I do own a copy of Purgatorio which I've never read, and probably never will, since without an Italian professor to explain Dante to me, he's a little over my head. The Inferno course was pretty good, though, and the cover art on my book shows a group of people missing various limbs; one guy is even holding his own decapitated head in his hands. Oh, so morbid, I love it.

***That is likely the only gem of poetical analysis you'll ever get from me, and I've only written that because I actually had to spend a few minutes looking up the Inferno reference, and thought that as long as I was looking it up, I might as well mention why Eliot included it. And I'm sure you could have figured it out on your own, but it's so rare that I make a conclusion or interpretation about poetry that I think is actually what the poet intended, that I needed to share my little moment of pride.

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05 April 2006

national poetry month

I'm a few days late, but April is National Poetry Month, and there's practically nothing I like better than an excuse to read and talk about poetry. So I thought I'd post a favorite poem or two (or three or four...) throughout the month, although it's a pretty formidable task to choose just a few favorites. Plath, cummings, Neruda, Angelou, Whitman... where do I begin?

But when I think about my love of poetry, there is a clear answer to that question, because there is one poem that sparked in me a more mature and passionate understanding of poetry than I had previously had. It wasn't until I heard this particular poem read aloud by a poetry professor in college that poetry really came alive for me. All of a sudden it was more than words on a page -- this poem was a real, living thing, and it was read so beautifully that I immediately fell in love with the professor reading it. (For the rest of my college career I tried to enroll in a poetry class with this professor, but was never able to fit it in. Alas.)

It doesn't do the poem justice to merely print it here, because the printed word lacks the emotion stirred inside by a passionate human voice, but it's the best I can do under the circumstances.

The Second Coming by William Butler Yeats

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all convictions, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

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